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sound recordings, synchronization, and performances. It focuses on rights chains, permitted media, territory and term, attribution, revenue sharing, reporting, and audit provisions, with structured information such as rights scope, supporting text excerpts, and unresolved issues. It supports legal document understanding, domain-specific question answering, and music licensing contract analysis.\u003C\u002Fp>","2026-10-15 19:28:37","2026-10-19 17:18:34","0.00",0,5000,"music rights contracts,music licensing Q&A,copyright licensing dataset,music contract analysis,synchronization license,royalty sharing clauses,legal document QA,contract evidence extraction","Covers music work, sound recording, and synchronization licenses for rights analysis, contract Q&A, and evidence localization.","JSON","0.5GB","music rights licensing, music contract review, copyright rights management","contract question answering, clause interpretation, rights and obligation analysis","V1.0","rivo\u002Fsample-packages\u002F69228f89-885c-49a6-aa3f-a5249f462df0\u002F20261015.zip",[583,588,593,598,604,609,614,620,626,631,636],{"id":572,"name":584,"field":585,"intro":586,"type":587},"File Name","file_name","File name","string",{"id":589,"name":590,"field":591,"intro":592,"type":587},9379,"Answer","answer","An accurate and complete answer based on the contract text and limited to its contents.",{"id":594,"name":595,"field":596,"intro":597,"type":587},9380,"Question","question","A closed-domain legal question about the contract text.",{"id":599,"name":600,"field":601,"intro":602,"type":603},9381,"Rights Scope","rights_scope","The authorized rights chain and permitted scope of use parsed from the contract.","object",{"id":605,"name":606,"field":607,"intro":608,"type":587},9382,"Contract Text","contract_text","The original music rights licensing contract or relevant contract clauses to be analyzed.",{"id":610,"name":611,"field":612,"intro":613,"type":603},9383,"Royalty Terms","royalty_terms","License fees, royalties, revenue shares, and payment arrangements parsed from the contract.",{"id":615,"name":616,"field":617,"intro":618,"type":619},9384,"Supporting Contract Excerpts","evidence_spans","Original contract passages, their locations, and explanations supporting the answer and structured analysis.","array",{"id":621,"name":622,"field":623,"intro":624,"type":625},9385,"Answer Confidence","answer_confidence","A confidence score from 0 to 1 based on the clarity of the contract terms, completeness of the evidence, and answerability of the question.","number",{"id":627,"name":628,"field":629,"intro":630,"type":619},9386,"Unresolved Issues","unresolved_issues","Matters that cannot be determined clearly from the contract text, are ambiguous, or require confirmation from additional documents.",{"id":632,"name":633,"field":634,"intro":635,"type":603},9387,"Reporting and Audit Terms","reporting_audit_terms","Contract provisions for submitting reports, retaining accounts, and exercising audit rights.",{"id":637,"name":638,"field":639,"intro":640,"type":587},9388,"Attribution Requirements","attribution_requirements","Contract terms governing the attribution of authors, performers, producers, rights holders, or other parties, including format, placement, and exceptions.",[642,646,650,654],{"id":643,"question":644,"answer":645},6551,"What music licensing content does the dataset cover?","It covers Q&A about licenses for musical works, sound recordings, synchronization, and performances, with a focus on rights chains, permitted media, territory and term, attribution, revenue sharing, reporting, and audit arrangements.",{"id":647,"question":648,"answer":649},6552,"What analysis fields are included?","Along with contract text, questions, and answers, the data includes rights scope, attribution requirements, royalty terms, reporting and audit terms, supporting contract excerpts, unresolved issues, and answer confidence. These fields support both model training and output verification.",{"id":651,"question":652,"answer":653},6553,"Which training and evaluation tasks does it support?","It is suitable for closed-domain question answering, contract clause extraction, evidence localization, and answer confidence assessment in music rights. It can also support domain-specific instruction tuning and legal document understanding evaluations.",{"id":655,"question":656,"answer":657},6554,"How can the data be obtained, and what are the licensing terms?","Availability, permitted use, and licensing terms depend on the dataset listing or provider's current terms. Before commercial or legal service use, verify the usage rights for the contract text and have qualified professionals review model outputs. Dataset analysis is not legal advice.",[659,677,691],{"id":660,"relate_table":661,"relate_id":662,"file_size":572,"file_name":663,"path":8,"duration":572,"cate":483,"file_format":664,"audio_rate":8,"audio_channel":522,"audio_bit_depth":522,"quality":8,"annotation":665,"cate_name":666,"answer":667,"question":668,"rights_scope":669,"contract_text":670,"royalty_terms":671,"evidence_spans":672,"answer_confidence":673,"unresolved_issues":674,"reporting_audit_terms":675,"attribution_requirements":676},15225,"union_cubo",966297373,"样例_3.json","json","{\"answer\": \"No. The contract grants only the right to use the sound recording \\\"Star Orbit\\\" for upload, storage, on-demand online streaming, and download services on the \\\"SoundWave\\\" music streaming platform and its mobile app, and expressly excludes uses such as commercial advertising. In addition, Party A does not grant musical work rights on behalf of the songwriter and composer, so even with the master rights holder's consent, Party B still needs to separately obtain synchronization and other necessary licenses for the musical work.\", \"question\": \"May Party B synchronize the sound recording \\\"Star Orbit\\\" to commercial advertising based solely on this contract?\", \"rights_scope\": \"{\\\"work_type\\\": \\\"sound recording (master)\\\", \\\"rights_granted\\\": [\\\"upload right\\\", \\\"storage right\\\", \\\"on-demand online streaming right\\\", \\\"download service provision right\\\"], \\\"media\\\": [\\\"SoundWave music streaming platform\\\", \\\"SoundWave mobile app\\\"], \\\"territory\\\": \\\"worldwide\\\", \\\"term\\\": \\\"January 1, 2025 to December 31, 2029; after expiration, new dissemination shall stop and content shall be removed within thirty days, unless renewed in writing\\\"}\", \"contract_text\": \"Article 1 Subject Matter of Authorization: Party A is the producer and master rights holder of the sound recording \\\"Star Orbit.\\\" Party A grants Party B a non-exclusive right to use the sound recording, but Party A does not grant any musical work rights on behalf of the songwriter and composer or the copyright owner of the musical work. Party B shall obtain synchronization, reproduction, and other necessary licenses for the musical work on its own. Article 2 Authorization Method and Media: Party B may upload, store, and provide users with on-demand online streaming and download services for the sound recording, only on the \\\"SoundWave\\\" music streaming platform and its mobile app operated by Party B, and may not use it in films, television dramas, commercial advertising, games, short video platforms, or physical record releases. Party B may not remix, edit, or change the main arrangement of the sound recording. Article 3 Territory and Term: The authorized territory is worldwide, and the authorization term is from January 1, 2025 to December 31, 2029. After the term expires, Party B shall stop new dissemination and remove the relevant content within thirty days, unless the parties renew in writing. Article 4 Attribution: Party B shall display the names of the performer, songwriter and composer, producer, and sound recording rights holder on the platform track page; because the songwriter and composer information is not within the scope of Party A's authorization, Party B shall display attribution information determined in the separate musical work license it obtains. Article 5 Revenue Distribution: Party B shall distribute 60% of the net digital revenue generated by the sound recording on the \\\"SoundWave\\\" platform to Party A, and Party B shall retain 40%. Net digital revenue means user subscription and single-track purchase revenue after deducting taxes withheld by the platform in accordance with law, payment channel fees, and refunds. Party B shall pay an advance payment of RMB 30,000 within ten working days after the contract takes effect, and this advance payment may be deducted from Party A's subsequent share. Article 6 Reporting and Audit: Party B shall submit an electronic report within forty-five days after the end of each month for the previous month's play count, download count, user revenue, deductions, and payable share, and shall pay within ten days after submitting the report. With fifteen working days' prior notice from Party A, Party A may appoint an independent accountant once per year to audit the relevant books; if the underpayment exceeds 5% of the share payable for the relevant period, Party B shall also bear reasonable audit costs in addition to making up the difference. Party B shall retain platform transaction, playback, download, and settlement records for six years.\", \"royalty_terms\": \"{\\\"revenue_share\\\": \\\"Party A receives 60% of the net digital revenue generated by the sound recording on the SoundWave platform, and Party B retains 40%; an advance payment of RMB 30,000 may be deducted from Party A's subsequent share\\\", \\\"payment_basis\\\": \\\"net digital revenue from platform user subscriptions and single-track purchases after deducting taxes withheld in accordance with law, payment channel fees, and refunds\\\", \\\"payment_timing\\\": \\\"pay an advance payment of RMB 30,000 within ten working days after the contract takes effect; submit the previous month's report within forty-five days after the end of each month, and pay the payable share within ten days after submitting the report\\\"}\", \"evidence_spans\": \"[{\\\"quote\\\": \\\"Party B may upload, store, and provide users with on-demand online streaming and download services for the sound recording, only on the SoundWave music streaming platform and its mobile app operated by Party B, and may not use it in films, television dramas, commercial advertising, games, short video platforms, or physical record releases.\\\", \\\"location\\\": \\\"Article 2 Authorization Method and Media\\\", \\\"explanation\\\": \\\"This article limits the authorized platform and methods of use for the sound recording and expressly excludes commercial advertising, so this contract cannot alone support synchronization use in advertising.\\\"}, {\\\"quote\\\": \\\"Party A does not grant any musical work rights on behalf of the songwriter and composer or the copyright owner of the musical work. Party B shall obtain synchronization, reproduction, and other necessary licenses for the musical work on its own.\\\", \\\"location\\\": \\\"Article 1 Subject Matter of Authorization\\\", \\\"explanation\\\": \\\"This article shows that the master rights license does not cover musical work rights, and advertising synchronization still requires separate permission from the songwriter and composer or other musical work rights holders.\\\"}, {\\\"quote\\\": \\\"Party B shall distribute 60% of the net digital revenue generated by the sound recording on the SoundWave platform to Party A, and Party B shall retain 40%.\\\", \\\"location\\\": \\\"Article 5 Revenue Distribution\\\", \\\"explanation\\\": \\\"This article supports the extraction of the net digital revenue basis and the parties' revenue-sharing ratio.\\\"}]\", \"answer_confidence\": \"0.995\", \"unresolved_issues\": \"[\\\"The contract does not list the ISRC or a complete track list for the sound recording, and the actual subject matter delivered still needs to be verified against an attachment or delivery record.\\\", \\\"The contract does not specify which specific advertising versions or territories the separate musical work license for the songwriting and composition obtained by Party B should cover.\\\"]\", \"reporting_audit_terms\": \"{\\\"reporting_frequency\\\": \\\"submit an electronic report within forty-five days after the end of each month for the previous month, listing play count, download count, user revenue, deductions, and payable share\\\", \\\"audit_rights\\\": \\\"with fifteen working days' prior notice from Party A, Party A may appoint an independent accountant once per year to audit the relevant books; if the underpayment exceeds 5% of the share payable for the relevant period, Party B shall also bear reasonable audit costs\\\", \\\"record_retention\\\": \\\"Party B shall retain platform transaction, playback, download, and settlement records for six years\\\"}\", \"attribution_requirements\": \"The platform track page shall display the names of the performer, songwriter and composer, producer, and sound recording rights holder; the songwriter and composer attribution information shall be determined according to the separate musical work license obtained by Party B.\"}","文本","No. The contract grants only the right to use the sound recording \"Star Orbit\" for upload, storage, on-demand online streaming, and download services on the \"SoundWave\" music streaming platform and its mobile app, and expressly excludes uses such as commercial advertising. In addition, Party A does not grant musical work rights on behalf of the songwriter and composer, so even with the master rights holder's consent, Party B still needs to separately obtain synchronization and other necessary licenses for the musical work.","May Party B synchronize the sound recording \"Star Orbit\" to commercial advertising based solely on this contract?","{\"work_type\": \"sound recording (master)\", \"rights_granted\": [\"upload right\", \"storage right\", \"on-demand online streaming right\", \"download service provision right\"], \"media\": [\"SoundWave music streaming platform\", \"SoundWave mobile app\"], \"territory\": \"worldwide\", \"term\": \"January 1, 2025 to December 31, 2029; after expiration, new dissemination shall stop and content shall be removed within thirty days, unless renewed in writing\"}","Article 1 Subject Matter of Authorization: Party A is the producer and master rights holder of the sound recording \"Star Orbit.\" Party A grants Party B a non-exclusive right to use the sound recording, but Party A does not grant any musical work rights on behalf of the songwriter and composer or the copyright owner of the musical work. Party B shall obtain synchronization, reproduction, and other necessary licenses for the musical work on its own. Article 2 Authorization Method and Media: Party B may upload, store, and provide users with on-demand online streaming and download services for the sound recording, only on the \"SoundWave\" music streaming platform and its mobile app operated by Party B, and may not use it in films, television dramas, commercial advertising, games, short video platforms, or physical record releases. Party B may not remix, edit, or change the main arrangement of the sound recording. Article 3 Territory and Term: The authorized territory is worldwide, and the authorization term is from January 1, 2025 to December 31, 2029. After the term expires, Party B shall stop new dissemination and remove the relevant content within thirty days, unless the parties renew in writing. Article 4 Attribution: Party B shall display the names of the performer, songwriter and composer, producer, and sound recording rights holder on the platform track page; because the songwriter and composer information is not within the scope of Party A's authorization, Party B shall display attribution information determined in the separate musical work license it obtains. Article 5 Revenue Distribution: Party B shall distribute 60% of the net digital revenue generated by the sound recording on the \"SoundWave\" platform to Party A, and Party B shall retain 40%. Net digital revenue means user subscription and single-track purchase revenue after deducting taxes withheld by the platform in accordance with law, payment channel fees, and refunds. Party B shall pay an advance payment of RMB 30,000 within ten working days after the contract takes effect, and this advance payment may be deducted from Party A's subsequent share. Article 6 Reporting and Audit: Party B shall submit an electronic report within forty-five days after the end of each month for the previous month's play count, download count, user revenue, deductions, and payable share, and shall pay within ten days after submitting the report. With fifteen working days' prior notice from Party A, Party A may appoint an independent accountant once per year to audit the relevant books; if the underpayment exceeds 5% of the share payable for the relevant period, Party B shall also bear reasonable audit costs in addition to making up the difference. Party B shall retain platform transaction, playback, download, and settlement records for six years.","{\"revenue_share\": \"Party A receives 60% of the net digital revenue generated by the sound recording on the SoundWave platform, and Party B retains 40%; an advance payment of RMB 30,000 may be deducted from Party A's subsequent share\", \"payment_basis\": \"net digital revenue from platform user subscriptions and single-track purchases after deducting taxes withheld in accordance with law, payment channel fees, and refunds\", \"payment_timing\": \"pay an advance payment of RMB 30,000 within ten working days after the contract takes effect; submit the previous month's report within forty-five days after the end of each month, and pay the payable share within ten days after submitting the report\"}","[{\"quote\": \"Party B may upload, store, and provide users with on-demand online streaming and download services for the sound recording, only on the SoundWave music streaming platform and its mobile app operated by Party B, and may not use it in films, television dramas, commercial advertising, games, short video platforms, or physical record releases.\", \"location\": \"Article 2 Authorization Method and Media\", \"explanation\": \"This article limits the authorized platform and methods of use for the sound recording and expressly excludes commercial advertising, so this contract cannot alone support synchronization use in advertising.\"}, {\"quote\": \"Party A does not grant any musical work rights on behalf of the songwriter and composer or the copyright owner of the musical work. Party B shall obtain synchronization, reproduction, and other necessary licenses for the musical work on its own.\", \"location\": \"Article 1 Subject Matter of Authorization\", \"explanation\": \"This article shows that the master rights license does not cover musical work rights, and advertising synchronization still requires separate permission from the songwriter and composer or other musical work rights holders.\"}, {\"quote\": \"Party B shall distribute 60% of the net digital revenue generated by the sound recording on the SoundWave platform to Party A, and Party B shall retain 40%.\", \"location\": \"Article 5 Revenue Distribution\", \"explanation\": \"This article supports the extraction of the net digital revenue basis and the parties' revenue-sharing ratio.\"}]","0.995","[\"The contract does not list the ISRC or a complete track list for the sound recording, and the actual subject matter delivered still needs to be verified against an attachment or delivery record.\", \"The contract does not specify which specific advertising versions or territories the separate musical work license for the songwriting and composition obtained by Party B should cover.\"]","{\"reporting_frequency\": \"submit an electronic report within forty-five days after the end of each month for the previous month, listing play count, download count, user revenue, deductions, and payable share\", \"audit_rights\": \"with fifteen working days' prior notice from Party A, Party A may appoint an independent accountant once per year to audit the relevant books; if the underpayment exceeds 5% of the share payable for the relevant period, Party B shall also bear reasonable audit costs\", \"record_retention\": \"Party B shall retain platform transaction, playback, download, and settlement records for six years\"}","The platform track page shall display the names of the performer, songwriter and composer, producer, and sound recording rights holder; the songwriter and composer attribution information shall be determined according to the separate musical work license obtained by Party B.",{"id":678,"relate_table":661,"relate_id":679,"file_size":572,"file_name":680,"path":8,"duration":572,"cate":483,"file_format":664,"audio_rate":8,"audio_channel":522,"audio_bit_depth":522,"quality":8,"annotation":681,"cate_name":666,"answer":682,"question":683,"rights_scope":684,"contract_text":685,"royalty_terms":686,"evidence_spans":687,"answer_confidence":673,"unresolved_issues":688,"reporting_audit_terms":689,"attribution_requirements":690},15224,2019345012,"样例_2.json","{\"answer\": \"Not permitted. The contract only authorizes the public performance right for \\\"City of Echoes\\\" in three designated ticketed live performances in Guangzhou, Shenzhen, and Xiamen, and expressly excludes the right of communication via information networks involved in live streaming and replay of the performances, as well as fixation and release of audio and video recordings. If Party B needs to live stream or release a replay, it shall separately obtain the corresponding rights license.\", \"question\": \"Does this contract permit Party B to live stream the live performances online or release recorded performance replays?\", \"rights_scope\": \"{\\\"work_type\\\": \\\"musical work\\\", \\\"rights_granted\\\": [\\\"public performance right\\\"], \\\"media\\\": [\\\"three ticketed live performances\\\", \\\"designated performance venues\\\"], \\\"territory\\\": \\\"designated performance venues in Guangzhou, Shenzhen, and Xiamen within mainland China\\\", \\\"term\\\": \\\"May 1, 2026 to July 31, 2026; limited to one performance each in Guangzhou, Shenzhen, and Xiamen; no additional performances may be added without written consent\\\"}\", \"contract_text\": \"Article 1 Rights Basis and Subject Matter of Authorization: Party A is the copyright administrator of the musical work \\\"City of Echoes\\\" and authorizes the \\\"Southern Live 2026\\\" tour organized by Party B to perform the work live at the authorized performances. Party A authorizes only the public performance right in the musical work; the reproduction, playback, distribution, and fixation of sound recordings, as well as the right of communication via information networks involved in live streaming and replay of performances, are not within the scope of authorization under this contract. Article 2 Usage Scenario: The authorization applies only to the three ticketed live performances organized by Party B in Guangzhou, Shenzhen, and Xiamen, and Party B may not extend the authorization to other cities, television broadcasts, online live streaming, or release of performance recordings. Article 3 Term and Territory: The authorization term is from May 1, 2026 to July 31, 2026, and the territory is limited to the designated performance venues in Guangzhou, Shenzhen, and Xiamen within mainland China; no additional performances may be added without Party A's written consent. Article 4 Attribution: Party B shall indicate the name of the songwriter and composer, \\\"Lin Che,\\\" on the live program, venue electronic screens, and official performance page in a font size no smaller than that used for other tracks; whether the host announces the attribution orally is at Party B's discretion. Article 5 Fees and Settlement: The license fee for each performance shall be calculated at 8% of the actual ticketing revenue for that performance (excluding value-added tax and refund amounts), but the aggregate minimum guarantee for the three performances is RMB 50,000. Party B shall pay the per-performance license fee within fifteen days after the end of each performance; if the total calculated on a proportional basis for the three performances is less than the minimum guarantee, Party B shall make up the difference within thirty days after the end of the final performance. Article 6 Reporting and Audit: Party B shall submit a ticketing settlement statement and audience number report within fifteen days after the end of each performance. With seven working days' prior notice from Party A or its appointed accountant, Party A may audit the ticketing and revenue records related to this contract once per year within two years after the performances; Party B shall retain the relevant records for two years.\", \"royalty_terms\": \"{\\\"revenue_share\\\": \\\"license fee paid at 8% of actual ticketing revenue for each performance; an aggregate minimum guarantee of RMB 50,000 is set for the three performances\\\", \\\"payment_basis\\\": \\\"actual ticketing revenue for each performance, calculated after deducting value-added tax and refund amounts; if the total calculated on a proportional basis for the three performances is less than the minimum guarantee, the difference shall be made up\\\", \\\"payment_timing\\\": \\\"pay the per-performance license fee within fifteen days after the end of each performance; if the minimum guarantee must be made up, pay the difference within thirty days after the end of the final performance\\\"}\", \"evidence_spans\": \"[{\\\"quote\\\": \\\"The reproduction, playback, distribution, and fixation of sound recordings, as well as the right of communication via information networks involved in live streaming and replay of performances, are not within the scope of authorization under this contract.\\\", \\\"location\\\": \\\"Article 1 Rights Basis and Subject Matter of Authorization\\\", \\\"explanation\\\": \\\"This article directly excludes live streaming, replay, and the related fixation of audio and video recordings and the right of online communication.\\\"}, {\\\"quote\\\": \\\"The authorization applies only to the three ticketed live performances organized by Party B in Guangzhou, Shenzhen, and Xiamen, and Party B may not extend the authorization to other cities, television broadcasts, online live streaming, or release of performance recordings.\\\", \\\"location\\\": \\\"Article 2 Usage Scenario\\\", \\\"explanation\\\": \\\"This article further limits the authorized media and performances and expressly prohibits online live streaming and release of performance recordings.\\\"}, {\\\"quote\\\": \\\"Party A authorizes only the public performance right in the musical work.\\\", \\\"location\\\": \\\"Article 1 Rights Basis and Subject Matter of Authorization\\\", \\\"explanation\\\": \\\"This statement indicates that this contract grants only the public performance right in the musical work and cannot be construed to grant other rights needed for live streaming or replay.\\\"}]\", \"answer_confidence\": \"0.995\", \"unresolved_issues\": \"[\\\"The contract does not specify whether Party B must separately obtain sound recording rights for the accompaniment recordings used in the live performances.\\\", \\\"The contract does not provide the specific fees and application process for separate licenses for live streaming or replay.\\\"]\", \"reporting_audit_terms\": \"{\\\"reporting_frequency\\\": \\\"submit a ticketing settlement statement and audience number report within fifteen days after the end of each performance\\\", \\\"audit_rights\\\": \\\"with seven working days' prior notice from Party A or its appointed accountant, Party A may audit the ticketing and revenue records related to the contract once per year within two years after the performances\\\", \\\"record_retention\\\": \\\"Party B shall retain the relevant ticketing, revenue, and performance records for two years\\\"}\", \"attribution_requirements\": \"The songwriter and composer Lin Che shall be indicated on the live program, venue electronic screens, and official performance page in a font size no smaller than that used for other tracks; whether the host announces the attribution orally is at Party B's discretion.\"}","Not permitted. The contract only authorizes the public performance right for \"City of Echoes\" in three designated ticketed live performances in Guangzhou, Shenzhen, and Xiamen, and expressly excludes the right of communication via information networks involved in live streaming and replay of the performances, as well as fixation and release of audio and video recordings. If Party B needs to live stream or release a replay, it shall separately obtain the corresponding rights license.","Does this contract permit Party B to live stream the live performances online or release recorded performance replays?","{\"work_type\": \"musical work\", \"rights_granted\": [\"public performance right\"], \"media\": [\"three ticketed live performances\", \"designated performance venues\"], \"territory\": \"designated performance venues in Guangzhou, Shenzhen, and Xiamen within mainland China\", \"term\": \"May 1, 2026 to July 31, 2026; limited to one performance each in Guangzhou, Shenzhen, and Xiamen; no additional performances may be added without written consent\"}","Article 1 Rights Basis and Subject Matter of Authorization: Party A is the copyright administrator of the musical work \"City of Echoes\" and authorizes the \"Southern Live 2026\" tour organized by Party B to perform the work live at the authorized performances. Party A authorizes only the public performance right in the musical work; the reproduction, playback, distribution, and fixation of sound recordings, as well as the right of communication via information networks involved in live streaming and replay of performances, are not within the scope of authorization under this contract. Article 2 Usage Scenario: The authorization applies only to the three ticketed live performances organized by Party B in Guangzhou, Shenzhen, and Xiamen, and Party B may not extend the authorization to other cities, television broadcasts, online live streaming, or release of performance recordings. Article 3 Term and Territory: The authorization term is from May 1, 2026 to July 31, 2026, and the territory is limited to the designated performance venues in Guangzhou, Shenzhen, and Xiamen within mainland China; no additional performances may be added without Party A's written consent. Article 4 Attribution: Party B shall indicate the name of the songwriter and composer, \"Lin Che,\" on the live program, venue electronic screens, and official performance page in a font size no smaller than that used for other tracks; whether the host announces the attribution orally is at Party B's discretion. Article 5 Fees and Settlement: The license fee for each performance shall be calculated at 8% of the actual ticketing revenue for that performance (excluding value-added tax and refund amounts), but the aggregate minimum guarantee for the three performances is RMB 50,000. Party B shall pay the per-performance license fee within fifteen days after the end of each performance; if the total calculated on a proportional basis for the three performances is less than the minimum guarantee, Party B shall make up the difference within thirty days after the end of the final performance. Article 6 Reporting and Audit: Party B shall submit a ticketing settlement statement and audience number report within fifteen days after the end of each performance. With seven working days' prior notice from Party A or its appointed accountant, Party A may audit the ticketing and revenue records related to this contract once per year within two years after the performances; Party B shall retain the relevant records for two years.","{\"revenue_share\": \"license fee paid at 8% of actual ticketing revenue for each performance; an aggregate minimum guarantee of RMB 50,000 is set for the three performances\", \"payment_basis\": \"actual ticketing revenue for each performance, calculated after deducting value-added tax and refund amounts; if the total calculated on a proportional basis for the three performances is less than the minimum guarantee, the difference shall be made up\", \"payment_timing\": \"pay the per-performance license fee within fifteen days after the end of each performance; if the minimum guarantee must be made up, pay the difference within thirty days after the end of the final performance\"}","[{\"quote\": \"The reproduction, playback, distribution, and fixation of sound recordings, as well as the right of communication via information networks involved in live streaming and replay of performances, are not within the scope of authorization under this contract.\", \"location\": \"Article 1 Rights Basis and Subject Matter of Authorization\", \"explanation\": \"This article directly excludes live streaming, replay, and the related fixation of audio and video recordings and the right of online communication.\"}, {\"quote\": \"The authorization applies only to the three ticketed live performances organized by Party B in Guangzhou, Shenzhen, and Xiamen, and Party B may not extend the authorization to other cities, television broadcasts, online live streaming, or release of performance recordings.\", \"location\": \"Article 2 Usage Scenario\", \"explanation\": \"This article further limits the authorized media and performances and expressly prohibits online live streaming and release of performance recordings.\"}, {\"quote\": \"Party A authorizes only the public performance right in the musical work.\", \"location\": \"Article 1 Rights Basis and Subject Matter of Authorization\", \"explanation\": \"This statement indicates that this contract grants only the public performance right in the musical work and cannot be construed to grant other rights needed for live streaming or replay.\"}]","[\"The contract does not specify whether Party B must separately obtain sound recording rights for the accompaniment recordings used in the live performances.\", \"The contract does not provide the specific fees and application process for separate licenses for live streaming or replay.\"]","{\"reporting_frequency\": \"submit a ticketing settlement statement and audience number report within fifteen days after the end of each performance\", \"audit_rights\": \"with seven working days' prior notice from Party A or its appointed accountant, Party A may audit the ticketing and revenue records related to the contract once per year within two years after the performances\", \"record_retention\": \"Party B shall retain the relevant ticketing, revenue, and performance records for two years\"}","The songwriter and composer Lin Che shall be indicated on the live program, venue electronic screens, and official performance page in a font size no smaller than that used for other tracks; whether the host announces the attribution orally is at Party B's discretion.",{"id":692,"relate_table":661,"relate_id":693,"file_size":572,"file_name":694,"path":8,"duration":572,"cate":483,"file_format":664,"audio_rate":8,"audio_channel":522,"audio_bit_depth":522,"quality":8,"annotation":695,"cate_name":666,"answer":696,"question":697,"rights_scope":698,"contract_text":699,"royalty_terms":700,"evidence_spans":701,"answer_confidence":702,"unresolved_issues":703,"reporting_audit_terms":704,"attribution_requirements":705},15223,1228224118,"样例_1.json","{\"answer\": \"No. The contract only authorizes use of the musical work and sound recording in the main episodes, opening and ending credits, official trailers, and official promotional short videos of Season 1 of \\\"After the Tide,\\\" and expressly excludes other uses such as commercial advertising. Therefore, without Party A's separate written permission, Party B may not edit the sound recording and use it in commercial advertising outside that web series.\", \"question\": \"May Party B edit the sound recording of \\\"Lights in the Fog\\\" and use it in commercial advertising outside that web series?\", \"rights_scope\": \"{\\\"work_type\\\": \\\"musical work and its sound recording\\\", \\\"rights_granted\\\": [\\\"synchronization right\\\", \\\"reproduction right\\\", \\\"distribution right\\\", \\\"right of communication via information networks\\\"], \\\"media\\\": [\\\"main episodes of the web series\\\", \\\"opening and ending credits\\\", \\\"official trailers\\\", \\\"official promotional short videos\\\"], \\\"territory\\\": \\\"mainland China, excluding Hong Kong, Macao, and Taiwan\\\", \\\"term\\\": \\\"April 1, 2025 to March 31, 2028, a total of three years; the contract does not provide for automatic renewal\\\"}\", \"contract_text\": \"Article 1 Subject Matter of Authorization: Party A, as the songwriter and composer of the musical work \\\"Lights in the Fog\\\" and the master rights holder of the sound recording \\\"Lights in the Fog,\\\" authorizes Party B to use the musical work and sound recording in Season 1 of the web series \\\"After the Tide.\\\" Article 2 Scope of Authorization: Party A grants Party B a non-exclusive synchronization right, reproduction right, distribution right, and right of communication via information networks, limited to the main episodes, opening and ending credits, official trailers, and official promotional short videos of the web series. Party B may not use the sound recording in theatrical films, television programs, commercial advertising, or independent music releases. Article 3 Territory and Term: The authorized territory is mainland China, excluding the Hong Kong Special Administrative Region, the Macao Special Administrative Region, and the Taiwan region; the authorization term is from April 1, 2025 to March 31, 2028. Article 4 Attribution: Party B shall indicate the songwriter and composer, performer, and sound recording rights holder in the end-credit music captions of the web series and on the official platform track information page; if complete display is impossible due to platform display character limits, Party B shall supplement the attribution on the episode details page or official music information page. Article 5 License Fee: Party B shall pay Party A a one-time license fee of RMB 120,000. Payment is not conditional on the actual viewership of the web series or advertising revenue, and Party A shall not separately participate in revenue sharing from Party B's platform. Article 6 Reporting and Audit: Party B shall submit a usage report to Party A once each quarter, listing the number of episodes broadcast, duration of use, platforms launched, and usage of licensed content. With ten working days' prior written notice from Party A, Party A may inspect records directly related to this authorization once per year; Party B shall retain records of contract performance and use for five years.\", \"royalty_terms\": \"{\\\"revenue_share\\\": \\\"no revenue sharing; Party A charges Party B a one-time license fee of RMB 120,000\\\", \\\"payment_basis\\\": \\\"fixed license fee, not calculated based on web series viewership or advertising revenue\\\", \\\"payment_timing\\\": \\\"the contract provides that Party B shall pay a one-time license fee, but does not specify the exact payment date or installment arrangement\\\"}\", \"evidence_spans\": \"[{\\\"quote\\\": \\\"limited to the main episodes, opening and ending credits, official trailers, and official promotional short videos of the web series. Party B may not use the sound recording in theatrical films, television programs, commercial advertising, or independent music releases.\\\", \\\"location\\\": \\\"Article 2 Scope of Authorization\\\", \\\"explanation\\\": \\\"This article limits the permitted media and content and expressly excludes commercial advertising, thus supporting the conclusion that it cannot be used in commercial advertising outside the web series.\\\"}, {\\\"quote\\\": \\\"Subject Matter of Authorization: Party A, as the songwriter and composer of the musical work Lights in the Fog and the master rights holder of the sound recording Lights in the Fog, authorizes Party B to use the musical work and sound recording in Season 1 of the web series After the Tide.\\\", \\\"location\\\": \\\"Article 1 Subject Matter of Authorization\\\", \\\"explanation\\\": \\\"This article confirms that the subject matter of authorization includes both the musical work and the sound recording, but the purpose of authorization is limited to the specified first season of the web series.\\\"}, {\\\"quote\\\": \\\"The authorized territory is mainland China, excluding the Hong Kong Special Administrative Region, the Macao Special Administrative Region, and the Taiwan region; the authorization term is from April 1, 2025 to March 31, 2028.\\\", \\\"location\\\": \\\"Article 3 Territory and Term\\\", \\\"explanation\\\": \\\"This article supports the structured extraction of the authorized territory and term.\\\"}]\", \"answer_confidence\": \"0.99\", \"unresolved_issues\": \"[\\\"The specific payment date, payment method, and liability for late payment of the one-time license fee are not specified in the given clauses.\\\", \\\"The contract does not specify whether renewal can be negotiated if the first season of the web series is delayed in launching or if subsequent seasons are used.\\\"]\", \"reporting_audit_terms\": \"{\\\"reporting_frequency\\\": \\\"submit a usage report once each quarter, listing the number of episodes broadcast, duration of use, platforms launched, and usage of licensed content\\\", \\\"audit_rights\\\": \\\"with ten working days' prior written notice from Party A, Party A may inspect records directly related to this authorization once per year; the contract does not specify who bears audit costs or any discrepancy amount threshold\\\", \\\"record_retention\\\": \\\"Party B shall retain records of contract performance and use for five years\\\"}\", \"attribution_requirements\": \"The songwriter and composer, performer, and sound recording rights holder shall be indicated in the end-credit music captions of the web series and on the official platform track information page; if platform character limits prevent complete display, the attribution shall be supplemented on the episode details page or official music information page.\"}","No. The contract only authorizes use of the musical work and sound recording in the main episodes, opening and ending credits, official trailers, and official promotional short videos of Season 1 of \"After the Tide,\" and expressly excludes other uses such as commercial advertising. Therefore, without Party A's separate written permission, Party B may not edit the sound recording and use it in commercial advertising outside that web series.","May Party B edit the sound recording of \"Lights in the Fog\" and use it in commercial advertising outside that web series?","{\"work_type\": \"musical work and its sound recording\", \"rights_granted\": [\"synchronization right\", \"reproduction right\", \"distribution right\", \"right of communication via information networks\"], \"media\": [\"main episodes of the web series\", \"opening and ending credits\", \"official trailers\", \"official promotional short videos\"], \"territory\": \"mainland China, excluding Hong Kong, Macao, and Taiwan\", \"term\": \"April 1, 2025 to March 31, 2028, a total of three years; the contract does not provide for automatic renewal\"}","Article 1 Subject Matter of Authorization: Party A, as the songwriter and composer of the musical work \"Lights in the Fog\" and the master rights holder of the sound recording \"Lights in the Fog,\" authorizes Party B to use the musical work and sound recording in Season 1 of the web series \"After the Tide.\" Article 2 Scope of Authorization: Party A grants Party B a non-exclusive synchronization right, reproduction right, distribution right, and right of communication via information networks, limited to the main episodes, opening and ending credits, official trailers, and official promotional short videos of the web series. Party B may not use the sound recording in theatrical films, television programs, commercial advertising, or independent music releases. Article 3 Territory and Term: The authorized territory is mainland China, excluding the Hong Kong Special Administrative Region, the Macao Special Administrative Region, and the Taiwan region; the authorization term is from April 1, 2025 to March 31, 2028. Article 4 Attribution: Party B shall indicate the songwriter and composer, performer, and sound recording rights holder in the end-credit music captions of the web series and on the official platform track information page; if complete display is impossible due to platform display character limits, Party B shall supplement the attribution on the episode details page or official music information page. Article 5 License Fee: Party B shall pay Party A a one-time license fee of RMB 120,000. Payment is not conditional on the actual viewership of the web series or advertising revenue, and Party A shall not separately participate in revenue sharing from Party B's platform. Article 6 Reporting and Audit: Party B shall submit a usage report to Party A once each quarter, listing the number of episodes broadcast, duration of use, platforms launched, and usage of licensed content. With ten working days' prior written notice from Party A, Party A may inspect records directly related to this authorization once per year; Party B shall retain records of contract performance and use for five years.","{\"revenue_share\": \"no revenue sharing; Party A charges Party B a one-time license fee of RMB 120,000\", \"payment_basis\": \"fixed license fee, not calculated based on web series viewership or advertising revenue\", \"payment_timing\": \"the contract provides that Party B shall pay a one-time license fee, but does not specify the exact payment date or installment arrangement\"}","[{\"quote\": \"limited to the main episodes, opening and ending credits, official trailers, and official promotional short videos of the web series. Party B may not use the sound recording in theatrical films, television programs, commercial advertising, or independent music releases.\", \"location\": \"Article 2 Scope of Authorization\", \"explanation\": \"This article limits the permitted media and content and expressly excludes commercial advertising, thus supporting the conclusion that it cannot be used in commercial advertising outside the web series.\"}, {\"quote\": \"Subject Matter of Authorization: Party A, as the songwriter and composer of the musical work Lights in the Fog and the master rights holder of the sound recording Lights in the Fog, authorizes Party B to use the musical work and sound recording in Season 1 of the web series After the Tide.\", \"location\": \"Article 1 Subject Matter of Authorization\", \"explanation\": \"This article confirms that the subject matter of authorization includes both the musical work and the sound recording, but the purpose of authorization is limited to the specified first season of the web series.\"}, {\"quote\": \"The authorized territory is mainland China, excluding the Hong Kong Special Administrative Region, the Macao Special Administrative Region, and the Taiwan region; the authorization term is from April 1, 2025 to March 31, 2028.\", \"location\": \"Article 3 Territory and Term\", \"explanation\": \"This article supports the structured extraction of the authorized territory and term.\"}]","0.99","[\"The specific payment date, payment method, and liability for late payment of the one-time license fee are not specified in the given clauses.\", \"The contract does not specify whether renewal can be negotiated if the first season of the web series is delayed in launching or if subsequent seasons are used.\"]","{\"reporting_frequency\": \"submit a usage report once each quarter, listing the number of episodes broadcast, duration of use, platforms launched, and usage of licensed content\", \"audit_rights\": \"with ten working days' prior written notice from Party A, Party A may inspect records directly related to this authorization once per year; the contract does not specify who bears audit costs or any discrepancy amount threshold\", \"record_retention\": \"Party B shall retain records of contract performance and use for five years\"}","The songwriter and composer, performer, and sound recording rights holder shall be indicated in the end-credit music captions of the web series and on the official platform track information page; if platform character limits prevent complete display, the attribution shall be supplemented on the episode details page or official music information page.","{\"answer\":\"No. The contract grants only the right to use the sound recording \\\"Star Orbit\\\" for upload, storage, on-demand online streaming, and download services on the \\\"SoundWave\\\" music streaming platform and its mobile app, and expressly excludes uses such as commercial advertising. In addition, Party A does not grant musical work rights on behalf of the songwriter and composer, so even with the master rights holder's consent, Party B still needs to separately obtain synchronization and other necessary licenses for the musical work.\",\"question\":\"May Party B synchronize the sound recording \\\"Star Orbit\\\" to commercial advertising based solely on this contract?\",\"rights_scope\":\"{\\\"work_type\\\": \\\"sound recording (master)\\\", \\\"rights_granted\\\": [\\\"upload right\\\", \\\"storage right\\\", \\\"on-demand online streaming right\\\", \\\"download service provision right\\\"], \\\"media\\\": [\\\"SoundWave music streaming platform\\\", \\\"SoundWave mobile app\\\"], \\\"territory\\\": \\\"worldwide\\\", \\\"term\\\": \\\"January 1, 2025 to December 31, 2029; after expiration, new dissemination shall stop and content shall be removed within thirty days, unless renewed in writing\\\"}\",\"contract_text\":\"Article 1 Subject Matter of Authorization: Party A is the producer and master rights holder of the sound recording \\\"Star Orbit.\\\" Party A grants Party B a non-exclusive right to use the sound recording, but Party A does not grant any musical work rights on behalf of the songwriter and composer or the copyright owner of the musical work. Party B shall obtain synchronization, reproduction, and other necessary licenses for the musical work on its own. Article 2 Authorization Method and Media: Party B may upload, store, and provide users with on-demand online streaming and download services for the sound recording, only on the \\\"SoundWave\\\" music streaming platform and its mobile app operated by Party B, and may not use it in films, television dramas, commercial advertising, games, short video platforms, or physical record releases. Party B may not remix, edit, or change the main arrangement of the sound recording. Article 3 Territory and Term: The authorized territory is worldwide, and the authorization term is from January 1, 2025 to December 31, 2029. After the term expires, Party B shall stop new dissemination and remove the relevant content within thirty days, unless the parties renew in writing. Article 4 Attribution: Party B shall display the names of the performer, songwriter and composer, producer, and sound recording rights holder on the platform track page; because the songwriter and composer information is not within the scope of Party A's authorization, Party B shall display attribution information determined in the separate musical work license it obtains. Article 5 Revenue Distribution: Party B shall distribute 60% of the net digital revenue generated by the sound recording on the \\\"SoundWave\\\" platform to Party A, and Party B shall retain 40%. Net digital revenue means user subscription and single-track purchase revenue after deducting taxes withheld by the platform in accordance with law, payment channel fees, and refunds. Party B shall pay an advance payment of RMB 30,000 within ten working days after the contract takes effect, and this advance payment may be deducted from Party A's subsequent share. Article 6 Reporting and Audit: Party B shall submit an electronic report within forty-five days after the end of each month for the previous month's play count, download count, user revenue, deductions, and payable share, and shall pay within ten days after submitting the report. With fifteen working days' prior notice from Party A, Party A may appoint an independent accountant once per year to audit the relevant books; if the underpayment exceeds 5% of the share payable for the relevant period, Party B shall also bear reasonable audit costs in addition to making up the difference. Party B shall retain platform transaction, playback, download, and settlement records for six years.\",\"royalty_terms\":\"{\\\"revenue_share\\\": \\\"Party A receives 60% of the net digital revenue generated by the sound recording on the SoundWave platform, and Party B retains 40%; an advance payment of RMB 30,000 may be deducted from Party A's subsequent share\\\", \\\"payment_basis\\\": \\\"net digital revenue from platform user subscriptions and single-track purchases after deducting taxes withheld in accordance with law, payment channel fees, and refunds\\\", \\\"payment_timing\\\": \\\"pay an advance payment of RMB 30,000 within ten working days after the contract takes effect; submit the previous month's report within forty-five days after the end of each month, and pay the payable share within ten days after submitting the report\\\"}\",\"evidence_spans\":\"[{\\\"quote\\\": \\\"Party B may upload, store, and provide users with on-demand online streaming and download services for the sound recording, only on the SoundWave music streaming platform and its mobile app operated by Party B, and may not use it in films, television dramas, commercial advertising, games, short video platforms, or physical record releases.\\\", \\\"location\\\": \\\"Article 2 Authorization Method and Media\\\", \\\"explanation\\\": \\\"This article limits the authorized platform and methods of use for the sound recording and expressly excludes commercial advertising, so this contract cannot alone support synchronization use in advertising.\\\"}, {\\\"quote\\\": \\\"Party A does not grant any musical work rights on behalf of the songwriter and composer or the copyright owner of the musical work. Party B shall obtain synchronization, reproduction, and other necessary licenses for the musical work on its own.\\\", \\\"location\\\": \\\"Article 1 Subject Matter of Authorization\\\", \\\"explanation\\\": \\\"This article shows that the master rights license does not cover musical work rights, and advertising synchronization still requires separate permission from the songwriter and composer or other musical work rights holders.\\\"}, {\\\"quote\\\": \\\"Party B shall distribute 60% of the net digital revenue generated by the sound recording on the SoundWave platform to Party A, and Party B shall retain 40%.\\\", \\\"location\\\": \\\"Article 5 Revenue Distribution\\\", \\\"explanation\\\": \\\"This article supports the extraction of the net digital revenue basis and the parties' revenue-sharing ratio.\\\"}]\",\"answer_confidence\":\"0.995\",\"unresolved_issues\":\"[\\\"The contract does not list the ISRC or a complete track list for the sound recording, and the actual subject matter delivered still needs to be verified against an attachment or delivery record.\\\", \\\"The contract does not specify which specific advertising versions or territories the separate musical work license for the songwriting and composition obtained by Party B should cover.\\\"]\",\"reporting_audit_terms\":\"{\\\"reporting_frequency\\\": \\\"submit an electronic report within forty-five days after the end of each month for the previous month, listing play count, download count, user revenue, deductions, and payable share\\\", \\\"audit_rights\\\": \\\"with fifteen working days' prior notice from Party A, Party A may appoint an independent accountant once per year to audit the relevant books; if the underpayment exceeds 5% of the share payable for the relevant period, Party B shall also bear reasonable audit costs\\\", \\\"record_retention\\\": \\\"Party B shall retain platform transaction, playback, download, and settlement records for six years\\\"}\",\"attribution_requirements\":\"The platform track page shall display the names of the performer, songwriter and composer, producer, and sound recording rights holder; the songwriter and composer attribution information shall be determined according to the separate musical work license obtained by Party B.\"}","MOBIUSI INC","https:\u002F\u002Fstatic.mobiusi.com\u002Fmobiwusi\u002F20250829\u002F7bf4ac62b4533e2b809998a6f1c5491e.png?Expires=1792463130&OSSAccessKeyId=LTAI5tH8MQqhgeiAtrzCHrxM&Signature=v6Tr8jBrdm4s5wU1SnnyGsYg%2Bhw%3D&x-oss-process=image%2Fresize%2Cm_fill%2Cw_35%2Ch_35",[710,716],{"type":711,"title":712,"count_data":713},"bar","Length distribution",[714],{"name":715,"value":483},"1k lower",{"type":717,"title":718,"count_data":719},"pie","Language distribution",[720],{"name":721,"value":483},"English"]